![]() ![]() There is a logic, of course, in the film, but you know what I mean. ![]() It’s really brave to do that in cinema, and there aren’t many directors who can do it, but he does. There’s several stories, you jump from one character to another. When I read the script the first time, I mentioned to him that it’s his most Dadaist film because there’s no almost no logic. You know, there’s something about this film, which is, to me, a highlight of Wes’s. I hope not simplistic, but very simple in terms of recurring motifs and instrumentation. The music almost became like a cake that you can’t swallow so we kept it very sparse and simple. We were talking this morning with Bob Yeoman, the photographer, about the incredible craftsman that Wes is-the imagination. Their most recent collaboration, The French Dispatch, has wowed critics with its scope and intricacy, and Desplat’s minimalist and Dada-inspired score complements Anderson’s romanticized vision of postwar France beautifully.Īlexandre Desplat: I agree that this is one of the most minimal scores that I’ve written for Wes. He has no doubt scored some of your favorites of the past twenty years, including The Curious Case of Benjamin Button, The Twilight Saga: New Moon, Harry Potter and the Deathly Hallows, Parts I and II, The Tree of Life, The Ides of March, Zero Dark Thirty, Godzilla, The Secret Life of Pets, Little Women, Midnight Sky, and Best Picture winners Argo, The King’s Speech and The Shape of Water.ĭespite his wide-ranging output, it is Desplat’s work with writer/director Wes Anderson that stands out among his credits, as Desplat has scored every Anderson film since Fantastic Mr. Since he started writing for English-language films in 2004, he has scored nearly 100 films, an average of six films a year. Desplat has been Oscar-nominated eleven times, and has won twice, for his memorable scores for Anderson’s The Grand Budapest Hotel and del Toro’s The Shape of Water. Desplat has circled in rarefied air for a couple decades now, the go-to favorite composer for many directors such as Wes Anderson, George Clooney and Guillermo del Toro, among others. And they aren’t ordinary ditties, either. Alex Borstein (“The Marvelous Mrs.Composer Alexandre Desplat is commonly referred to as the busiest man in Hollywood, churning out score after score, year after year.Murray Bartlett (“Welcome to Chippendales,” “The Last of Us”).Watch our lively chats with Rhea Seehorn (“Better Call Saul”) and 130+ other 2023 Emmy nominees… This quartet currently sits just outside of our predicted five nominees behind the screenwriters for “King Richard,” “Mass,” “Don’t Look Up,” “Belfast,” and, in first place, writer/director Paul Thomas Anderson for “Licorice Pizza.” He crafted the script with three of his previous co-writers: Coppola, Guinness, and Jason Schwartzman. Of these, he is strongest in Best Original Screenplay, a category where he has so far earned three nominations. ![]() It plays like a return to the likes of “The Grand Budapest Hotel” and Anderson could reap the same three bids he did for that film: producing, directing, writing. It is a typical Anderson film with A-list talent delivering quirky dialogue while garbed in flawless costumes set against the backdrop of beautiful production design that is captured with arresting cinematography. The anthology showcases three stories as told by a trio of the magazine’s finest writers. “The French Dispatch” is the tale of a titular, fictional French newspaper magazine. While Close will have to wait another year to win her first Oscar, Anderson is a strong contender this year. PREDICT the 2022 Oscar nominees and other awards shows Instead, they both lost: Anderson lost the Best Animated Feature race to “Spider-Man: Into the Spider-Verse” while “The Favourite’s” Olivia Colman won Best Actress over Close. In 2019 we thought Anderson and Glenn Close might both break their long-standing losing streaks in the same year by winning for “Isle of Dogs” and “The Wife,” respectively. ![]()
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